"Writing-Based Strategies and Anti-Racist Pedagogies" at Bard's Institute for Writing and Thinking

Alicia Mosley

This summer, I attended the Institute for Writing and Thinking at Bard University in Annadale-on-Hudson, New York. The institute offers various themed workshops that all center writing-based pedagogy implementable across disciplines. I took the “Writing-Based Teaching and Anti-Racist Pedagogies” workshop. This was the first year IWT offered a workshop directly centered around anti-racism. Institutional work around anti-racism inherently creates discomfort at times, and this workshop was no exception. Though I would recommend this first iteration of the “Anti-Racist Pedagogies” workshop to white-identified educators, for me—the only Black woman and one of only two BIPOC participants—it often replicated a difficult and typical dynamic. It made clear the need for affinity spaces and somatic awareness when engaged in work around anti-racism. As an accidental result of the work, my "lived" knowledge and empathy around the potential experiences (and invisible labor) of students of color in our classrooms was reiterated and deepened; it put me back in those shoes. And despite the challenges, I learned many useful teaching tools connected to the Institute’s philosophy around writing as a tool for thinking. The facilitators were skillful and workshops were immersive; we learned through doing.  I left with many invaluable, student-centered, writing-based practices and strategies that I will put to use in my English classrooms.
Here are a couple of the anti-racist resources that I'd like to share:
 
1. This TED talk about Racial Literacy by two high school students. (You may know about it already since it was released in 2018. I hadn't seen it before! Since then, Priya Vulchi and Winona Guo have written a book and started an organization, https://www.chooseorg.org/for-educators)
 
2. These reflective question from Felicia Rose Chavez's book, The Anti-Racist Writing Workshop
  •  For whom do you design your curriculum? In other words, who is your ideal, imagine student? What assumptions do you make about their background?
  • What norms and values inform your curriculum choices?
  • Do you articulate your own positionality when lecturing? Why or why not?
  • Does your curriculum reflect its geographic location, including the subjugated histories, cultures, and languages?
  • How does your teaching legitimate the experiences and cultures of students of color?
  • How does your teaching affirm the agency of students of color?
  • How does your curriculum require white students to acquire the intellectual and cultural resources to function effectively in a plural society?
  • How do you build a community in your classroom where students learn actively from each other and draw on their own knowledge sources?
  • What can you do to make your assessment criteria show what all students are capable of, drawing on their strengths and promoting their agency and creativity?
  • Ask yourself, am I ready to prepare my headspace for change?
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